Research Article | | Peer-Reviewed

Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture

Received: 2 January 2025     Accepted: 27 January 2025     Published: 29 April 2025
Views:       Downloads:
Abstract

Scholars have asserted that the idea of whiteness has often re-emerged as invisible, non-labeled, and unmarked, and this idea is continuously propagated through media representation. Furthermore, many scholars have argued that media representation functions as a tool for (re)constructing a particular worldview. Hence, the representation of intercultural relationships in popular culture (pop culture) often emphasizes cultural differences and conflicts, especially when the performance of whiteness is involved. Therefore, this study aimed to investigate the representation of intercultural relationships by analyzing how the film You People depicts cultural differences and conflicts in the context of intercultural relationships and why whiteness is performed and propagated in these narratives. A critical thematic analysis was used to analyze the dialogues in the movie. The findings align with existing research demonstrating that the film emphasizes cultural differences and often employs negative stereotypes to highlight conflicts between cultural groups. However, a significant new theme emerged, showcasing how the characters navigated and worked through their differences to maintain their relationships. This theme presents a more hopeful perspective, suggesting potential pathways for intercultural understanding and collaboration, which also brings out nuances that question whether the media is challenging or perpetuating whiteness. This study contributes to intercultural communication by highlighting the dual role of pop culture both as a site for reinforcing stereotypes and as a space for imagining possibilities of intercultural harmony. Ultimately, the study highlights the need for a more nuanced intercultural communication representation.

Published in Communication and Linguistics Studies (Volume 11, Issue 2)
DOI 10.11648/j.cls.20251102.11
Page(s) 42-52
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2025. Published by Science Publishing Group

Keywords

Intercultural Marriages, Intercultural Relationships, Whiteness, The Performance of Whiteness, Representation, Pop Culture

References
[1] Adichie, C. N. (2014). Americanah. Random House.
[2] Alaoui, F. Z. C. (2021). Unpacking African epistemological violence: toward critical Africanness in communication studies. Review of Communication, 21(4), 293–309.
[3] Asante, G. (2016). Glocalized whiteness: Sustaining and reproducing whiteness through “Skin toning” in post-colonial Ghana. Journal of International and Intercultural Communication, 9(2), 87–103.
[4] Delaney, T. (2007). Pop culture: An overview. Philosophy Now, (64), 6–7.
[5] Diaz-Leon, E. (2015). What is Social Construction? European Journal of Philosophy, 23(4), 1137–1152.
[6] Duffy, B. E. (2017). (Not) Getting paid to do what you love: Gender, social media, and aspirational work. London: Yale University Press.
[7] Dyer, R. (1997). White. Routledge, London.
[8] Fiske, J. (2010). Understanding popular culture. Routledge.
[9] Frankenberg, R. (1993). White women, race matters: The social construction of whiteness. Minneapolis: University of Minnesota Press.
[10] Gao, G. (2016, November 22). Cross-cultural romantic relationships. Oxford Research Encyclopedia of Communication.
[11] Hall, S. (1995). The whites of their eyes: Racist ideologies and the media. Silver linings: Some strategies for the eighties, 28–52.
[12] Hordge-Freeman, E. (2015). The Color of Love: Racial features, stigma, and socialization in black Brazilian families, New York, USA: University of Texas Press.
[13] Kerrigan, P., & Liddy, S. (2022). Conceptualizing change in equality, diversity, and inclusion: A case study of the Irish film and television sector. European Journal of Cultural Studies.
[14] Kit, B. (June 10, 2021). "Jonah Hill to star in Kenya Barris feature directorial debut for Netflix (Exclusive)". The Hollywood Reporter. Retrieved December 6, 2022.
[15] Kroll, J. (September 23, 2021). "Lauren London to co-star opposite Jonah Hill and Eddie Murphy in Kenya Barris' untitled comedy at Netflix; Sam Jay and Molly Gordon also Join". Deadline. Retrieved December 6, 2022.
[16] Lahiri, J. (2003). The Namesake. Houghton Mifflin Harcourt.
[17] Lawless, B., & Chen, Y. W. (2019). Developing a method of critical thematic analysis for qualitative communication inquiry. Howard Journal of Communications, 30(1), 92-106.
[18] McMann, M. (2018). “You’re black”: Transnational perceptions of race in Chimamanda Ngozi Adichie’s Americanah and Andrea Levy’s Small Island. Critique: Studies in Contemporary Fiction, 59(2), 200-212.
[19] Mahtani, M. (2014). Mixed race amnesia: Resisting the romanticization of multiraciality. UBC Press.
[20] Martin, J. N., & Nakayama, T. K. (2013). Intercultural communication in contexts (Vol. 6). New York, NY: McGraw-Hill.
[21] Middleton, S., Roediger, D. R., & Shaffer, D. M. (Eds.). (2016). The construction of whiteness: An interdisciplinary analysis of race formation and the meaning of a white identity. Univ. Press of Mississippi.
[22] Mudambi, A. (2013). Another look at orientalism: (An)othering in slumdog millionaire. The Howard Journal of Communications, 24, 275–292.
[23] Nakayama, T. K., & Krizek, R. L. (1995). Whiteness: A strategic rhetoric. Quarterly Journal of Speech, 81(3), 291–309.
[24] Nakayama, T. K., & Martin, J. N. (1999). Whiteness: The communication of social identity. Thousand Oaks, CA: SAGE.
[25] Nakayama, T. K. (2017). Whiteness theory. The International Encyclopedia of Intercultural Communication, 1–3.
[26] Nikita, N., Andela, R., Fauziah, G. Z., & Nazafi, Z. A. (2019). The Contrast Portrayals of American and Pakistani Culture in The Big Sick Movie. Insaniyat: Journal of Islam and Humanities, 3(2), 111–126.
[27] Oh, D. C., & Eguchi, S. (2022). Racial privilege as a function of white supremacy and contextual advantages for Asian Americans. Communication, Culture and Critique, 15(4), 471–478.
[28] Owen W. (1984). Interpretive themes in relational communication. Quarterly Journal of Speech, 70(3), 274–287.
[29] Parameswaran, R. (2002). Local culture in global media: Excavating colonial and material discourses in national geographic. Communication Theory, 12(3), 287–315.
[30] Shome, R., & Hegde, R. S. (2002). Postcolonial approaches to communication: Charting the terrain, engaging the intersections. Communication Theory, 12(3), 249–270.
[31] Snyder, R. (2019). The right to define: Analyzing whiteness as a form of property in Washington state bilingual education law. Language Policy, 19(1), 31–60.
[32] Spivak, G. C. (1988) Can the Subaltern Speak? in Cary Nelson and Lawrence Grossberg (eds).
[33] Steves, A. (October 23, 2021). "L. A. What's Filming: Kenya Barris' New Netflix Comedy Feature, co-written by and Starring Jonah Hill". Backstage. Retrieved October 28, 2021.
[34] Storey, J. (2021). Cultural Theory and Popular Culture: An Introduction. Routledge.
[35] Stratton, J. (2016). The price of love: The Big Bang Theory, the family and neoliberalism. European Journal of Cultural Studies, 19(2), 170–187.
[36] You People. (2023, April 4). In Wikipedia.
[37] Warner, K. J. (2016) Strategies for success? Navigating Hollywood’s ‘post-racial’ labor practices. In: Curtin M, Sanson K (eds) Precarious Creativity. Berkeley, CA: University of California Press, pp. 172–185.
[38] Warren, J. T. (2010). It really isn't about you. Whiteness and the dangers of thinking you got it. The Handbook of Critical Intercultural Communication, 446–460.
[39] Whiteness. National Museum of African American History and Culture. (2022, September 19).
[40] Wynn, L. L. (2018). Love, sex, and desire in modern Egypt: Navigating the margins of respectability. University of Texas Press.
Cite This Article
  • APA Style

    Nartey, G. M. (2025). Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture. Communication and Linguistics Studies, 11(2), 42-52. https://doi.org/10.11648/j.cls.20251102.11

    Copy | Download

    ACS Style

    Nartey, G. M. Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture. Commun. Linguist. Stud. 2025, 11(2), 42-52. doi: 10.11648/j.cls.20251102.11

    Copy | Download

    AMA Style

    Nartey GM. Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture. Commun Linguist Stud. 2025;11(2):42-52. doi: 10.11648/j.cls.20251102.11

    Copy | Download

  • @article{10.11648/j.cls.20251102.11,
      author = {Gertrude Misornu Nartey},
      title = {Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture
    },
      journal = {Communication and Linguistics Studies},
      volume = {11},
      number = {2},
      pages = {42-52},
      doi = {10.11648/j.cls.20251102.11},
      url = {https://doi.org/10.11648/j.cls.20251102.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.cls.20251102.11},
      abstract = {Scholars have asserted that the idea of whiteness has often re-emerged as invisible, non-labeled, and unmarked, and this idea is continuously propagated through media representation. Furthermore, many scholars have argued that media representation functions as a tool for (re)constructing a particular worldview. Hence, the representation of intercultural relationships in popular culture (pop culture) often emphasizes cultural differences and conflicts, especially when the performance of whiteness is involved. Therefore, this study aimed to investigate the representation of intercultural relationships by analyzing how the film You People depicts cultural differences and conflicts in the context of intercultural relationships and why whiteness is performed and propagated in these narratives. A critical thematic analysis was used to analyze the dialogues in the movie. The findings align with existing research demonstrating that the film emphasizes cultural differences and often employs negative stereotypes to highlight conflicts between cultural groups. However, a significant new theme emerged, showcasing how the characters navigated and worked through their differences to maintain their relationships. This theme presents a more hopeful perspective, suggesting potential pathways for intercultural understanding and collaboration, which also brings out nuances that question whether the media is challenging or perpetuating whiteness. This study contributes to intercultural communication by highlighting the dual role of pop culture both as a site for reinforcing stereotypes and as a space for imagining possibilities of intercultural harmony. Ultimately, the study highlights the need for a more nuanced intercultural communication representation.
    },
     year = {2025}
    }
    

    Copy | Download

  • TY  - JOUR
    T1  - Performing Whiteness in Intercultural Marriages: A Critical Analysis of the Film You People in Pop Culture
    
    AU  - Gertrude Misornu Nartey
    Y1  - 2025/04/29
    PY  - 2025
    N1  - https://doi.org/10.11648/j.cls.20251102.11
    DO  - 10.11648/j.cls.20251102.11
    T2  - Communication and Linguistics Studies
    JF  - Communication and Linguistics Studies
    JO  - Communication and Linguistics Studies
    SP  - 42
    EP  - 52
    PB  - Science Publishing Group
    SN  - 2380-2529
    UR  - https://doi.org/10.11648/j.cls.20251102.11
    AB  - Scholars have asserted that the idea of whiteness has often re-emerged as invisible, non-labeled, and unmarked, and this idea is continuously propagated through media representation. Furthermore, many scholars have argued that media representation functions as a tool for (re)constructing a particular worldview. Hence, the representation of intercultural relationships in popular culture (pop culture) often emphasizes cultural differences and conflicts, especially when the performance of whiteness is involved. Therefore, this study aimed to investigate the representation of intercultural relationships by analyzing how the film You People depicts cultural differences and conflicts in the context of intercultural relationships and why whiteness is performed and propagated in these narratives. A critical thematic analysis was used to analyze the dialogues in the movie. The findings align with existing research demonstrating that the film emphasizes cultural differences and often employs negative stereotypes to highlight conflicts between cultural groups. However, a significant new theme emerged, showcasing how the characters navigated and worked through their differences to maintain their relationships. This theme presents a more hopeful perspective, suggesting potential pathways for intercultural understanding and collaboration, which also brings out nuances that question whether the media is challenging or perpetuating whiteness. This study contributes to intercultural communication by highlighting the dual role of pop culture both as a site for reinforcing stereotypes and as a space for imagining possibilities of intercultural harmony. Ultimately, the study highlights the need for a more nuanced intercultural communication representation.
    
    VL  - 11
    IS  - 2
    ER  - 

    Copy | Download

Author Information
  • Sections