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The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality

Received: 17 July 2022    Accepted: 11 August 2022    Published: 14 September 2022
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Abstract

This paper sets out to examine not only how genre colony is elaborated with its way of arrangement in a meticulous and complicated order but also how collision with online virtual reporting is evoked by its sets of intricate design. A combination of the generic moves of a released American diplomatic document, circulating confidentially and the narrative process is conducted in order to unravel reporting evidence and authorial tangibility with a dichotomized framework of functionality and virtuality. It is found that the examined document essentially loses its initial perlocutionary effects by the intrusion of the mediating reporting act and by virtue of the free direct narrative style from the very beginning at the generic entry. The online representative mode blurs the content of the original wording of the document and the act of its reporting. It is due to the repercussion of the deviant and the virtual reporters on the course of the intended meaning for the American executive institutions. Finally, it is concluded that the act of deviating an online document from its original circulation attenuates its official executive directives and more importantly, reduces it to a virtual generic category whose dissemination as a clone genre is opened to an ambiguous and an entangled online reporting.

Published in Communication and Linguistics Studies (Volume 8, Issue 2)
DOI 10.11648/j.cls.20220802.12
Page(s) 34-41
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Clone Genre, Deviant Reporter, Virtual Reporter, Narration, Genre Colony, Anchorage, Dissemination

References
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[2] Bal, M. (2009) Narratology: introduction to the theory of narrative 3rd edn. University of Toronto Press.
[3] Banfield, A. (2004) ‘Narrative style and the grammar of direct and indirect speech’ in Bal, M. (ed) Narrative Theory: critical concepts in literary and cultural studies Routldge.
[4] Bhatia, V. K. (2014) Worlds of Written Discourse: A Genre Based View. Bloomsburry Academic.
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[6] Bhatia, V. K. (1993) Analysing Genre: language use in professional settings. Longman: UK Ltd.
[7] Chatman S. (1990) ‘What Can We Learn from Contextual Narratology?’, Poetics Today 11 (2), 309-328. Doi: org/10.2307/1772619.
[8] Coddington M. (2012) ‘Defending a paradigm by patrolling a boundary: two global newspapers’ approach to wikileaks’, Journalism and Mass Media Quarterly. 89 (3), pp. 377-396. doi: org./10.1177/1077699012447918.
[9] Cooppan, V. (2009) Worlds Within: National Narratives and Global Connections in Postcolonial Writing. Stanford: Stanford University Press.
[10] Devitt A. J. (2004) Writing Genres. Southern Illinois University.
[11] De Soto, J. A. (2022) ‘The Constructivism of Social Discourse: toward a contemporaneous understanding of knowledge’, Open journal of Philosophy 12, 376-396. Doi.org/10.4236/ojpp.2022.123025.
[12] Fairclough, N. (1995) Media Discourse. London: Edward Arnold.
[13] Fludernik, M. (2018) ‘Ideology, Dissidence, Subversion: a narratological perspective’, in Dwivedi, D, Nielsen, H. S. & Walsh, R. (eds.) Negotiating Context, Form, and Theory in Postcolonial Narratives. The Ohio State Uiversity Press, Columbus, pp. 193-212.
[14] Fludernik, M. (2012) ‘The Narrative Forms of Postcolonial Fiction’, in Quayson, A (ed) The Cambridge History of Postcolonial Literature. Cambridge University Press.
[15] Fludernik, M. (2009) An Introduction to Narratology. Trans. from the German by Hausler-Greenfield, Patricia, Fludernik, Monika. Routldge.
[16] Fobbe, E. (2020) ‘Text-Linguistic Analysis in Forensic Authorship Attribution’, International Journal of Language and Law 9, pp. 93-114. Doi.org/10.14762/jll.2020.093.
[17] Hanlein, H. (1998) Studies in Authorship Recognition: a corpus-based approach. Frankfurt. Peter Lang.
[18] Hyland K. (2015) ‘Genre, discipline and identity’. Journal of English for Academic Purposes 19, pp. 32-43. Doi.org/10.1016/j.jeap.2015.02.005.
[19] Kress, G. (2010) Multimodality: a social semiotic approach to contemporary communication. Routledge.
[20] Kress, G. (1988) Communication and Culture Sydney. NSW University Press.
[21] Leech, G. & Short, M. (2007) Style in Fiction: a linguistic introduction to English language. Pearson Longman.
[22] Love, H. (2002) Attributing Authorship. Cambridge University Press, Cambridge.
[23] Martin, B. & Ringham, F. (2006) Key Terms in Semiotics. Continuum.
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Cite This Article
  • APA Style

    Mohamed El Behi. (2022). The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality. Communication and Linguistics Studies, 8(2), 34-41. https://doi.org/10.11648/j.cls.20220802.12

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    ACS Style

    Mohamed El Behi. The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality. Commun. Linguist. Stud. 2022, 8(2), 34-41. doi: 10.11648/j.cls.20220802.12

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    AMA Style

    Mohamed El Behi. The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality. Commun Linguist Stud. 2022;8(2):34-41. doi: 10.11648/j.cls.20220802.12

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  • @article{10.11648/j.cls.20220802.12,
      author = {Mohamed El Behi},
      title = {The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality},
      journal = {Communication and Linguistics Studies},
      volume = {8},
      number = {2},
      pages = {34-41},
      doi = {10.11648/j.cls.20220802.12},
      url = {https://doi.org/10.11648/j.cls.20220802.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.cls.20220802.12},
      abstract = {This paper sets out to examine not only how genre colony is elaborated with its way of arrangement in a meticulous and complicated order but also how collision with online virtual reporting is evoked by its sets of intricate design. A combination of the generic moves of a released American diplomatic document, circulating confidentially and the narrative process is conducted in order to unravel reporting evidence and authorial tangibility with a dichotomized framework of functionality and virtuality. It is found that the examined document essentially loses its initial perlocutionary effects by the intrusion of the mediating reporting act and by virtue of the free direct narrative style from the very beginning at the generic entry. The online representative mode blurs the content of the original wording of the document and the act of its reporting. It is due to the repercussion of the deviant and the virtual reporters on the course of the intended meaning for the American executive institutions. Finally, it is concluded that the act of deviating an online document from its original circulation attenuates its official executive directives and more importantly, reduces it to a virtual generic category whose dissemination as a clone genre is opened to an ambiguous and an entangled online reporting.},
     year = {2022}
    }
    

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    T1  - The Impact of Circularity Shift on Reporting Genres: Functionality vs. Virtuality
    AU  - Mohamed El Behi
    Y1  - 2022/09/14
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    UR  - https://doi.org/10.11648/j.cls.20220802.12
    AB  - This paper sets out to examine not only how genre colony is elaborated with its way of arrangement in a meticulous and complicated order but also how collision with online virtual reporting is evoked by its sets of intricate design. A combination of the generic moves of a released American diplomatic document, circulating confidentially and the narrative process is conducted in order to unravel reporting evidence and authorial tangibility with a dichotomized framework of functionality and virtuality. It is found that the examined document essentially loses its initial perlocutionary effects by the intrusion of the mediating reporting act and by virtue of the free direct narrative style from the very beginning at the generic entry. The online representative mode blurs the content of the original wording of the document and the act of its reporting. It is due to the repercussion of the deviant and the virtual reporters on the course of the intended meaning for the American executive institutions. Finally, it is concluded that the act of deviating an online document from its original circulation attenuates its official executive directives and more importantly, reduces it to a virtual generic category whose dissemination as a clone genre is opened to an ambiguous and an entangled online reporting.
    VL  - 8
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Author Information
  • English Department, Faculty of Letters, Arts, and Humanities, University of Sfax, Sfax, Tunisia

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